In conjunction with YOUTH CLUB, the Gavin Watson Archive undergoes a groundbreaking ongoing preservation project. This fascinating mission continues to unearth the incredible unseen depts of Gavin Watson’s work, from the early hangings out on High Wycombe street corners, to the pivotal foundations of the Rave scene.

An ambitious restoration of 50,000 images celebrating key moments in British youth culture history, this cultural treasure trove unlocks an intimate insight into the passion of subculture and coming of age. The Gavin Watson Archive is an ongoing digitisation project working to preserve and share this invaluable cultural asset, telling his extraordinary story and paving the way for future generations.

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What makes Gavin’s photos so special is that when you look at them, there’s clearly trust from the subject towards the photographer so it feels like you’re in the photo rather than just observing’.
— Shane Meadows


Gavin Watson was born in London in 1965 and grew up on a council estate in High Wycombe, Buckinghamshire. He bought a Hanimex camera from Woolworths in his early teens and began to take photographs. Upon leaving school at the age of sixteen, Watson moved back to London and became a darkroom assistant at Camera Press. He continued to photograph his younger brother Neville and their group of skinhead friends in High Wycombe.

The ‘Wycombe Skins’ were part of the working-class skinhead subculture brought together by a love of ska music and fashion. Although skinhead style had become associated with the right-wing extremism of political groups like the National Front in the 1970s, Watson’s photographs document a time and place where the subculture was racially mixed and inclusive. His photographs were published in the books Skins (1994) and Skins and Punks (2008), and the director Shane Meadows cited them as an inspiration for his film This is England (2006). In 2011 and 2012 Watson photographed campaigns for Dr Martens and began a project with the singer Plan B